ach, hergott (2024)

60x60
acrylic For this work I have referenced different images from my time in Texas ( and ).

First, print black and white extreme contrast versions of photographs to get to the underlying shapes and patterns of light. Afterwards, combine underlying shapes with other found compositions, stack layers of  materials over each other.

In this work I wanted both everything to be positive and negative, every object ambivalent as if not sure if it’s new or old, good or bad. I printed, scanned, reorganized, and drew in details until arriving at the final piece ().