This series of works uses industrial and organic elements arranged in ways that represents the archaic attempts by humans to overcome nature and the inherent decay of human created systems.
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I wanted to be honest and give meaning back to you, add to some bigger story arch - anyway. the words stand for you, too small to elaborate, too personal to translate properly, too intimate to mean anything grand to anyone, too accidental to be fixated on.
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Everything to be positive and negative, every object ambivalent as if not sure if it’s new or old, good or bad.
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This piece was the culmination of a long process. I cast seven friends, four lovers, two strangers, and myself to create 14 life-sized aluminium sculptures. These were utilised in a performance art piece I wrote for Vika Tschibor in which all were merged into one entity.
The work aims to be a deconstructed version of the digital works, both through its own materials as well as the reaction and impact on the industrial environment it existed in. Where materials exist without others giving them purpose – cables without anywhere to go, fences with nothing to hold, flowers with nowhere to grow etc.
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In a culture increasingly centred on individualism, Blowing up the universe from my backyard (2024) represents my attempt toward redefining happiness within capitalistic societal pressures for success - not in distant, unattainable goals, but in togetherness, and love - dismantling them right from my own backyard.
The documentary is a critical observation and celebration of the duality of life, focusing on the tension between what could have been and the acceptance of what is.
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Associate Creative Director (2025)
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As a new generation leaves their homes behind, they must grapple with carrying the idea of home beyond the physical boundaries that shaped them.
This experimental video project aims to delve into the relationship we have with physical homes and the idea of home. How this shapes us, develops alongside us and parts ways with us. The work combines impromptu filming and philosophical inquiry to present a reflective, participatory narrative.
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A movement study recording alongside text.
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Capturing Linkin Park in Germany.
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Capturing images for Radiohead during their Europe festival run.
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Capturing images for U2 at various points of their 2020s stadium shows.
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Throughout the last years, I had a transfixation with the way natural and human made structures are reflected and recombined in/ on water. The waves weave together all sorts of different elements and stages of their respective cycles. It is an image of the interconnectedness of our state, where no system, decision or truth can truly exist independent and alongside on another. It all is determined to come back together to melt into the same soup it came from.
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The work YOUYOUYOU2 explored noise pollution and the collective loss of individuality within urban settings. It aims to critique the overwhelming sensory and psychological pressures of today's urban environments while simultaneously inviting participants to reflect on their role in creating and perpetuating these conditions.
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Founded in 2021, Dangerous Kitchen is a non-profit platform supporting the development, presentation, and documentation of interdisciplinary art and cultural practices. By integrating a concept I refer to as ‘circumstance design,’ it creates structured environments that challenge traditional audience behaviors (through rules) and foster deeper artistic engagement. I am the co- founder and head curator for the platform.
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Photos & text.
Photos & text.
Photos and text reflecting on two weeks in Beirut.